Rodríguez grew up shooting action and horror short films on video, and editing on two VCRs. Finally, in the fall of 1990, his entry in a local film contest earned him a spot in the university’s film program where he made the award-winning 16 mm short, “Bedhead”. The film chronicles the amusing misadventures of a young girl whose older brother sports an incredibly tangled mess of hair that she cannot tolerate. The rest of the short film is a humorous account of how the young girl tries to fix her brother’s follicle monstrosity when she discovers her telekinetic abilities. Even at this early stage, Rodríguez’s trademark style began to emerge: quick cuts, intense zooms, and fast camera movements deployed with a sense of humor that offsets the action.

This short film attracted enough attention to encourage him to seriously attempt a career as a filmmaker. He went on to shoot the action flick El Mariachi in Spanish. El Mariachi, which was shot for around $7,000 with money partially raised by participating in medical research studies, won the Audience Award at the Sundance Film Festival in 1992. The film, originally intended for the Spanish-language low-budget home-video market, was “cleaned up” with several hundred thousand dollars before being distributed by Columbia Pictures in the United States, still being promoted as “the movie made for $7,000″. Rodríguez described his experiences making the film in his book Rebel Without a Crew. The book and film inspired legions of hopeful filmmakers to pick up cameras and make no-budget movies. The film and the book are widely considered important touchstones of the independent film movement of the 1990s.

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